Thursday, March 17, 2022

Collection






 Noelle Ascending    20" x 16"    oil on canvas    5.27.2017




Hathor    30" x 24"    oil on canvas    5.29.17




Time to Surf    2017    9" x 12"    mixed media on paper




TV Watcher    6/2017    oil on canvas    20" x 16"




Earth Healing 4    8/2017    30" x 24"    oil on canvas




Venus: Olympus/Night    2017    oil on canvas    20" x 16"



Untitled    11.2018    14" x 17"    Mixed media on paper



Three 'I's    2010(?)    acrylic on canvas    10" x 10"



Woman at the Sea   5/2016  oil on canvas  8" x 10"


Dying Comedian    16" x 20"    pencil, pastel, acrylic and oil on canvas    10.2016



Vibration: Earth Healing 3     30" x 24"  oil on canvas  2017



Earth Healing 2     30" x 24"  oil on canvas  2017



Lake    20" x 16"  oil on canvas  2017



Earth Healing 1     30" x 24" oil on canvas 2016



Big    30" x 24"  oil on canvas  2016



Prostitute    20" x 16" oil on canvas  2016

Saturday, March 27, 2021

Objects

Looking at Klaudia Schifferle's website, I wondered at the extravagant sculptures there, often fabric, and their nearness to hieroglyphic or some other non-anthro thing though there were clear human referents. Then I came across this:



seven gifts, beton, nagellack, 2014
seven gifts, beton, nagellack, 2014




It took me a moment to see- she was not creating art, but making an object. There is no need for art anymore. Art gets us in trouble. Objects save us. Perhaps music is god, but objects are the clear evocation of the magnificence of such oneness; they are one and none other. No referents.

We are clear: art is dead. It died last week. You read about it and did not weep. Objects were there all along if you opened your eyes, when you were ready to see; anything everything. Objects are our salvation and our redemption. Die to art and let it die to you.








heels, diverse materialien 2015



Cheers.





Friday, June 19, 2020

#lockdown we insist

Anna Narnina, artist; date, title and size unknown

The world is made normal. Again. The abnormality ceases and the breeze plays through, well unfortunately it carries the smell of dying. But we return to the old normal, the pre-19th century normal before all this industrialization shit blew up in our faces. Before Frankenstein's monster turned and devoured us.

The question, "How does art matter in the time of pandemic", so dear to art magazines, is a dull one. Like it mattered before? It may only begin to matter now that there's nothing else to bide our time. We'll have to see. The pre-formed tag line, "it matters now more than ever" (also applied post-9/11) is mind-deadening. No one knows what it is to begin with. Could it be the absence of something, what we notice when there's nothing more to distract us? Doesn't have to be a painting or, just a view of nature or a sound in the street. Nothing. Cage made that clear.

Art is tied to capital, is capital, everyone knows that now. But what if it's not? That is a desperate situation, even for those not currently selling (full disclosure... ) or trading. What if art were to become the mastery of the many, indeed the society (as it once was) instead of the refuge of the few (from the many)? We would destroy capital as a signifier of added value reverting to pre-colonial values. I would not feel special anymore. But "currency" of whatever type would have intrinsic meaning: backed by cows, or grain, or some other vital commodity.

I used to have a fantasy that all the artists in the world would go on strike and say, "Make your own art! You forgot how, so learn again and save this wreck of a world!" It's the offshoring of intrinsic value in humans that creates the conditions for hegemony of consumer culture, we have to add value somewhere, if not in ourselves; older cultures could see that value right in front of them in the last mocassin they beaded, the last hut they painted or the last skirt they wove. It was clear we were great; and we didn't need to buy value from anyone. The Sharper Image  dive watch or Lamborghini Reventon is as shield for our inner worthlessness. No one will look past it nor will we.

The world according this fantasy is destroyed by mindless consumerism, which = destruction/extraction of resources, which = colonialism and slavery, which = centralization of wealth and "superpowers" and etc etc etc.

Because we have no innate sense of our own worth as human beings, because aboriginal/indigenous teachings about our place in the universe have been papered over, over time, because the replacement religions stressed our sinful 'nature', we prefer fake value (gold, diamonds, aforesaid consumer luxuries) to art; but art sneaks in.

Art was banned by Christianity and Islam, but it came in through myriad back doors to each. It was banned by Communist, Fascist, and Nazi governments and reduced to design for mind-numbing, emotion-stirring propaganda*. No art = bad times.

How's N. America doing these days? The only person recongized as an "artist" by the masses, is a musical artist such as Eminem or Ariana Grande. I'd actually go there re: Eminem but you get the drift. The other "artist" is a baffling embarrassment to society. But there's always 'naturalistic' painting. Animals of every stripe like to see themselves in a mirror. And there's sunsets...

Crystals. Everyone loves crystals when they actually look at them. But they are useless. They have no power. What is power? If power were being aligned with yourself... but no. I'm a busy wo/man.

The entrancement of looking in a good crystal is worth more to your spirit than the watch, the Reventon, the yacht, the bonds, the Modigliani in your temp.-controlled vault. What is your spirit worth?

Earth is calling for a revolution. Not of politics, or of capital, but of eros. Of love grounded in spiritual art forms, grounded in the multiple dimensions of which we are born. We have a duty to the invisible world.


*More on propaganda as art at a later date.

Sunday, June 7, 2020

SPACE

How do I feel? Okay. What do I want? I want to see bigger things. Not the nothing of everyday. I was not born for this. I was born for higher things yes. I will see. I will clear a space. It becomes apparent  to me now that space is what is needed. Space. Throw out your crap. Get rid. Time for it now, you'll find what you need don't hoard. Space. Space. I need space. Space. Space. Space. Space. Space doesn't exist without not-space, i.e. an object. That is the creative difficulty. Finding an object that acts as a frame for space, even though it is enclosed by space. I am a big object. I am full*. Now. I have no room left inside. Am I a proper object to frame space? I am in the space like a toy drum set, A blue sparkle dazzler, a fake cosmos. I play there. We never left. Space. Clear out these words, poetic as they may seem. Space is where the thing is, the object, the sputnik satellite. Your art object. Your spiritual totem. Make space your friend. Your enemy is clutter, visual, mental, temporal. This space, not thens; or whens. This space. now. Space is your friend. In every way, shape and formless. Never say goodbye to form in your work; simply create the space to form it. Make the space equal the form at least. No space means no form: clutter. You can never be inebriated with clutter, only intoxicated. Come back to space, and take your place. You will create space for someone else, being the proper object. Simply by observing space and limiting yourself to round smiles and not adding "arms and legs" to the deal you format yourself to modesty in a becoming manner, drawing attention to space around you, in a most charming and delightful way. You are the art/object now.

Wednesday, March 25, 2020

ABBETH

I first encountered Abbeth at Portland, ME's Cosmic Bridge art/music festival under a bridge, a refreshingly homegrown affair with many artists' stalls among the vendors'. Immediately upon looking at her (vividly colored) drawings I felt weird; really weird, like my mind was changing, consciousness opening. I ended up looking at every last thing, scores of drawings and paintings. I'll share with you a few, more at abbeth.com, FB, IG, etc. It is my hope that you will feel it too.

Abbeth changed everything I think about the figure, about visual art in general: I was so astonished by what I saw that I saw that I needed to rethink everything, that there were dimensions unfound and uninvited to our 3-D morass. I'd wanted to take up, engage w/ the dimensional challenge for some time, but here was a road map, an exemplar for us mortals. Figurative conventions are overridden, and figure/ground, positive/negative space, objective/narrative dualities are superceded as well.

In the paradigms of figuration, there are the Cavepeople, Egyptians, Bellini, Picasso (Bacon?), Clemente, and now Abbeth; and a few million others. Not all men: props to Cavewomen, Kahlo, Spero, Schutz et al. Why's it been so hard for us to redraft the body, and it's relation to its environment? Any change is internalized to injury/death, an 'insult to the body' (see Dix). Or worse, a change in consciousness (quelle horreur). And yet, perhaps we would like to slowly, gently loosen our identification with so louche a thing, so perishable a commodity; perhaps we would like to express the confounding of corporeal identity that consistently plagues us, our worldview/self-assessment being challenged so consistently. Perhaps fun, a wee bit?

I will not share all my favorite stuff because I want to leave a few doors and windows open for you burglars. I gave up on titles pretty quickly because. It gets wilder toward the end, I ourage you to have courage. And now, without further ado, in no particular order...














Fishbowl Creature



3 Legged Walk to City




Springtime





Winter Speaking Summer
































































































































Sunday, June 30, 2019

Threaded Head


Threaded Head    2019    14" x 17"    Mixed media on paper


This is a an album cover I did for the band Threaded Head, based on the song of the same name. I'll post a link to it when it's available. It's based on the concept of the Logos, which translated means the Mind of God: dreaming up the ideas which become the reality, in this case our towns and cities.

Saturday, February 2, 2019

99 Drawings

From my sketchbook. All ink on paper (a few with sanguine or charcoal added), all 5" x 3.5" (or vice versa). Here's the first few, I'll keep adding until all 99 are up. The latest postings are always at the top, so you don't have to look through the same images twice, or thrice, etc. Sorry for the 'shadows', shot in poor light.






The Life After Death
     2019







Five Senses - Smell    2019






Listening   
2019





Prayer   
2019





Waves/Water/Fire   
2019





Burning   
2019





Pup
    2019




A recent envoyé   
2019





(No) Holiday for Artist   
2019





Cave Thérma
  2019






Agency   
2019





Precosity   
2019





Lunchtime   
2019






Rondelay   
2019






Infant   
2019






Birthday Wish   
2019





Traveling Path   
2019





Script 1   
2019





Script 2   
2019




Script 3   
2019





Design 1   
2019





Poetry Mode   
2019






Technical Knock-out   
2019






My Cosmos   
2019





God II   
2019





Communion   
2019





Operatic Drama: Resist-All   
2019





Moon Reflection   
2019




Self Portrait 9   
2019





Macro phages   
2019





My Dichotomous Fellow Man
   2019





Prize-Winning Pig    2019





Musician    2018





Healthy Living    2018





School boy
   2019





Dream
   2019





Contemplator
    2019





My Bed (after T. Emin)
    2019





Weather
    2018





Camp
    2019





Flag Waving
   2018





Your Privacy Is Our Uppermost Concern
    2019





I Want
    2018





Up There
    2018






Clean
    2018





Portrait 3
    2018





Portrait 2
    2018






Portrait 1
    2018





Birth 1
    2018





Birth 2 
   2018





Thaw In/out 1
    2018





Thaw In/out
2    2018 (Winter)





Anxious Fellow 
   2018





I'M HONGRY!I'M THIRSTY!
    2018






Hands Up
    2018





Morning
   12.2018





Five Senses - Sight
    2018





Self Portrait 7
   2018